- ADOBE CAMERA RAW 9.10 VIDEO TUTORIAL HOW TO
- ADOBE CAMERA RAW 9.10 VIDEO TUTORIAL SOFTWARE
- ADOBE CAMERA RAW 9.10 VIDEO TUTORIAL WINDOWS
Check that the photographs transferred okay by looking at them with your image software. Do not erase or reformat the card on your computer. Once it was dry, you would Eject the memory card from your desktop. Finally, you would hang up the film to dry. After that you could turn on the lights and begin adding various chemicals and, keeping the temperature constant, agitate the tank to keep the chemicals mixed. What does digital image processing mean In the old days of film, if you wanted to process your images, you had to load the images onto a reel and put it into a tank, all in total darkness. Macs operate in the same way, recognizing your camera or card. The only thing you have to do is make sure the camera is connected and turned on (and recognized by Windows) before you attempt to open files in the photo editor. Consequently, you can open a picture for editing in your image editing program by simply selecting it in the program's Open dialog box.
ADOBE CAMERA RAW 9.10 VIDEO TUTORIAL WINDOWS
If Windows recognizes your camera or card reader as a mass storage device (and most such devices that connect to the computer via USB and FireWire are), the device and all the files on it appear to Windows just like any other disk drive. However, several image editing programs can do the transferring for you, which shortens the whole process.
ADOBE CAMERA RAW 9.10 VIDEO TUTORIAL SOFTWARE
Next, you launch your favorite image editing software and open the image file to make some adjustments before finally saving or printing the picture. The normal sequence of events is to use your camera's utility software to transfer one or more picture files from your camera to your computer. In the Duplicate Image dialog, add -cor (short for exposure corrected ) to the filename (see Figure 3-19).
As soon as you've opened a new file in Photoshop, choose Image Duplicate. Next, open Photoshop, load your image, and use the following routine. If you're not using the Adobe Camera RAW support, make sure your camera's RAW file conversion software saves in 16-bit format.
ADOBE CAMERA RAW 9.10 VIDEO TUTORIAL HOW TO
Here's how to do exposure corrections in Photoshop. The same image after further exposure corrections in Adobe Photoshop. For example, look at the difference that exposure correction makes between Figures 3-17 and 3-18. If you don't, you'll find that correcting exposure is extremely hard (if not impossible) to do. The second step is very important always do your exposure corrections in Photoshop first, before any of the other corrections or effects you'll find later in this book. Those limitations might be behind you now. Or, you had to blur the background of your images in an image editor because your digital point-and-shoot camera always brought everything into sharp focus (an excellent trait when you want everything in focus, and not so great when you want to use focus selectively for creative effects). You've faked fish-eye lens effects because your camera didn't have a fish-eye lens, or you've manually added lens flare instead of trying to create the real thing.
You might have used an image editor's Zoom Blur feature because your digi-cam's zoom lens didn't zoom fast enough to permit creating that effect in the camera, as shown in Figure 1-8. Perhaps you're a seasoned image editor, accustomed to cropping images in Photoshop or Photoshop Elements to mimic the extreme telephoto perspective your previous camera couldn't duplicate. They change how you make pictures, as well. Digital SLRs do more than change how you take pictures.
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